{"id":35098,"date":"2026-05-24T05:53:21","date_gmt":"2026-05-24T05:53:21","guid":{"rendered":"https:\/\/pressespartout.com\/?p=35098"},"modified":"2026-05-24T05:52:37","modified_gmt":"2026-05-24T05:52:37","slug":"jacques-marouns-al-wa7esh-opens-at-theatre-lemonnot-before-a-packed-cultural-and-media-audience","status":"publish","type":"post","link":"https:\/\/pressespartout.com\/?p=35098","title":{"rendered":"<br>Jacques Maroun\u2019s Al Wa7esh Opens at Th\u00e9\u00e2tre Le<br>Monnot Before a Packed Cultural and Media Audience<br>"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Before a packed audience of artists, media figures, cultural personalities, and<br>representatives of television, radio, print, and digital press, Al Wa7esh<br>opened at Th\u00e9\u00e2tre Le Monnot with a special preview performance led by<br>the magnetic presence of Carole Abboud and Dory Al Samarany.<br><br>Directed by Jacques Maroun, the production brings to Beirut John<br>Patrick Shanley\u2019s celebrated \u00a0Danny<br>and the Deep Blue Sea in an Lebanese-Arabic translation by Arze<br>Khodr. At the center of this Lebanese staging lies the volatile encounter<br>between its two performers: an emotionally exposed duet carried by tension,<br>rupture, tenderness, and the fragile possibility of connection.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br><br>The play follows Roberta and Danny, two wounded outsiders who<br>meet one night in a nearly empty bar. Both arrive armed with fear, anger, and<br>years of buried pain. What begins as confrontation slowly shifts into<br>confession, as two people seemingly incapable of tenderness begin, cautiously and<br>awkwardly, to recognize themselves in one another.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><br><br>Abboud gives Roberta a presence that is at once bruised and defiant,<br>moving seamlessly between vulnerability and control, exhaustion and instinct.<br>Opposite her, Al Samarany brings Danny a raw, restless energy, shaping<br>him less as a brute than as a man desperately shielding himself from collapse.<br>Together, they create a stage relationship built on silences, eruptions,<br>hesitation, humor, and need.<br><br>Rather than treating Danny and the Deep Blue Sea as a distant<br>American text, Al Wa7esh draws Shanley\u2019s world into a distinctly<br>Lebanese emotional landscape. Under Maroun\u2019s direction, the play becomes less<br>about geography than recognition: the familiar sight of people living at the<br>margins of themselves, struggling to name their wounds while reaching, however<br>clumsily, toward grace.<br><br>The return of Al Wa7esh to the stage also carries particular<br>resonance. The production was first presented in 2019 at Maroun\u2019s artistic<br>workshop before Lebanon\u2019s successive crises interrupted its path toward a wider<br>audience. Its opening at Th\u00e9\u00e2tre Le Monnot now marks not simply a<br>revival, but the continuation of a theatrical journey long left suspended.<br><br>Shanley, the Academy Award-winning screenwriter of Moonstruck and<br>Pulitzer Prize and Tony Award-winning playwright of Doubt: A Parable,<br>remains one of the defining voices of contemporary American theatre and cinema.<br>Danny and the Deep Blue Sea is a compact, unforgiving work that<br>leaves little room for ornament or evasion, placing extraordinary demands on<br>its performers.<br><br>Since its first presentation, Al Wa7esh has drawn attention for<br>the intensity of its lead performances and for its ability to transform an<br>international text into something immediate and locally resonant. In its new<br>run at Th\u00e9\u00e2tre Le Monnot, that force is carried above all by Abboud<br>and Al Samarany, whose performances place audiences face-to-face with fear,<br>rage, humor, longing, and the uneasy hope of redemption.<br><br>Written by John Patrick Shanley, translated by Arze Khodr,<br>produced and directed by Jacques Maroun, and starring Carole Abboud<br>and Dory Al Samarany, Al Wa7esh is now playing at Th\u00e9\u00e2tre<br>Le Monnot.<br><!--[if !supportLineBreakNewLine]--><br><!--[endif]--><!--EndFragment--><br><\/p>\n\n\n\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"576\" src=\"https:\/\/pressespartout.com\/wp-content\/uploads\/2026\/05\/IMG-20260523-WA0051-1024x576.jpg\" alt=\"\" class=\"wp-image-35108\" srcset=\"https:\/\/pressespartout.com\/wp-content\/uploads\/2026\/05\/IMG-20260523-WA0051-1024x576.jpg 1024w, https:\/\/pressespartout.com\/wp-content\/uploads\/2026\/05\/IMG-20260523-WA0051-300x169.jpg 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class=\"wp-block-paragraph\"><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Before a packed audience of artists, media figures, cultural personalities, andrepresentatives of television, radio, print, and digital press, Al Wa7eshopened [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":35099,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_uag_custom_page_level_css":"","site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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a packed audience of artists, media figures, cultural personalities, andrepresentatives of television, radio, print, and digital press, Al Wa7eshopened 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